Acclaimed authors Marie Darrieussecq and Dan Richards join us for a journey into the world after dark. Whether you’re nocturnal by choice (like Richards) or by affliction (like Darrieussecq), or even if you’re out for eight hours as soon as your head hits the pillow, this encounter between the night owl and the insomniac will give you much to ponder upon…or dream about. In conversation with Adam Biles

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Marie Darrieussecq was born in Bayonne in 1969 and is recognised as one of the leading voices of contemporary French literature. Her first novel, Pig Tales, was translated into thirty-five languages. She has written more than twenty books. Text has published Tom Is Dead, All the Way, Men, Being Here: The Life of Paula Modersohn-Becker, Our Life in the Forest, The Baby and Crossed Lines. In 2013 Marie Darrieussecq was awarded the Prix Médicis and the Prix des Prix for her novel Men. She has written art criticism and journalism for a number of publications, including Libération and Charlie Hebdo, and is also a translator from English and has practised as a psychoanalyst. She lives in Paris.

Plagued by insomnia for twenty years, Marie Darrieussecq turns her attention to the causes, implications and consequences of sleeplessness: a nocturnal suffering that culminates at 4 a.m. and then defines the next day. In Sleepless, she recounts her own experiences alongside those of fellow insomniacs, mostly writers – ‘as if writing were not sleeping’ – Ovid, Marcel Proust, Virginia Woolf, Marguerite Duras, Franz Kafka, Georges Perec and others. With her inimitable humour, she describes her dealings with a somnologist and her attempts to find a remedy – trying sleeping pills, cannabis, alcohol, bedtime rituals, acupuncture, yoga, hypnosis, psychoanalysis, a gravity blanket and a range of sleep-aid devices. Darrieussecq considers bedrooms, beds, clinophilia (‘the tendency to remain in a prone position without sleeping for prolonged periods of time’), her need to be alone in bed, those without beds, the homeless, refugees, trauma and capitalism’s role in sleeplessness, our constant wakefulness online, the forest as a hypnagogic zone and how our relationship with animals is connected to our sleep, or lack of it. Ranging between autobiography, clinical observation and criticism, Sleepless is a graceful, inventive meditation by one of the most daring, inventive novelists writing today.

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An exploration of night – the nocturnal world, insomnia, the creative potential of the dark hours, the work that happens at night to keep the modern world moving – by Sunday Times bestselling author Dan Richards

There is something special about the night. For many, just the idea of it conjures thoughts of starlit skies, romance, refuge, of being tucked up in bed. For some, the night means fear, vulnerability, danger, sleeplessness. At night things go bump, monsters hide under beds, owls take wing and foxes prowl. For others still, nightfall signals the start of work.

Overnight is a celebration of all things nocturnal, of those who labour while the rest of us sleep: the bakers, health workers, sailors, couriers, broadcasters, drivers, fishers, the emergency services and more. And it is also a hymn to nighttime wildlife, dreams and art. We’ll hang out with bats and look at the stars. We’ll learn what Moomintroll has to teach us. We’ll travel by ship, train, racing car and foot. There will be more than one surprise along the way.

Through a series of personal journeys Dan Richards explores what the night means to a fascinating array of people, taking us from night terrors to the glow of watching the dawn break on the summer solstice. Overnight will change the way you think about the hours after dark.

Dan Richards is the co-author of Holloway (with Robert Macfarlane and Stanley Donwood), and the author of The Beechwood Airship Interviews, Climbing Days, Outpost and Overnight. Only After Dark, a BBC Radio 4 series about the nocturnal world, was broadcast to acclaim in 2022. Dan has written for the Guardian, Economist, Esquire and Monocle. He is based in Edinburgh.