Our guest in the writer’s studio this week is Ferdia Lennon, whose debut novel Glorious Exploits depicts the ancient world in a way readers will never have experienced it before. Set in Syracuse in 412 BC, after the catastrophic attempt by Athens to invade the city, Lampo and Gelon, two out-of-work potters, have the harebrained idea of staging a production of Medea—perhaps the greatest play, by unquestionably the greatest playwright of their time—using, as actors, the Athenian soldiers held as prisoners in the quarry. And if that premise weren’t intriguing enough on it’s own, it’s the writer’s execution that really sets Glorious Exploits apart, as Lennon eschews the stilted formality that tales of Antiquity often lapse into, in favour of an always lively, frequently fruity, distinctly Irish vernacular. Glorious Exploits is a story about friendship, about art, about love, and about violence. It’s also a story about stories—those we tell each other, those we tell ourselves, and the power they have to spirit us to other worlds entirely.